Fae’s work, which blends fantasy and pre raphaelite themes with activist sentiments, has been called “Cottage-Core with a Dash of Rebellion” (Fae, 2026). This was certainly seen in Fae’s opening piece, No Kings, (Fae, Digital, 2026), which displays a medieval noble woman with a double pointed hennin (the classic “Princess Hat”) in three-quarter composition, with a large, contemporary earring sporting “No Kings”, bleached eyebrows, and several hoop earrings attached to both in her ears and veil. Fae describes this piece as “Princesscore with Daddy Issues” and says it is a larger commentary on patriarchal views, the expected subservience of eldest daughters, and a desire for a matriarchal community.
Fae’s work, which blends fantasy and pre raphaelite themes with activist sentiments, has been called “Cottage-Core with a Dash of Rebellion” (Fae, 2026). This was certainly seen in Fae’s opening piece, No Kings, (Fae, Digital, 2026), which displays a medieval noble woman with a double pointed hennin (the classic “Princess Hat”) in three-quarter composition, with a large, contemporary earring sporting “No Kings”, bleached eyebrows, and several hoop earrings attached to both in her ears and veil. Fae describes this piece as “Princesscore with Daddy Issues” and says it is a larger commentary on patriarchal views, the expected subservience of eldest daughters, and a desire for a matriarchal community.
